Pressure change
broke surface tenderness forethought from an experience of various temperaments as a sweve of, the figure John Varley named, Blake's Instructor with an emblematic fire tree above his eyes, if that's what it is, enters the imagination from the skylight in the form of a wave described by a naval architect as a hump took off in the wake of boat stop down canal without change entered perception as a light trap, a spatio-temporal shape of incoherent white-glare from a light bulb self-trapped in a speckled crystal strontium, barium, niobium, oxygen embedded in the centre of his forehead an intuitive interactive environment fast and easy plasmid map construction newly amplified flow-sorted micro-dissected brightly fluorescing No wonder his head hurts The magnitude of non-linearity relates to the time and space for relaxation In a shuttle the Instructor elucidates colloidal crystallisation an effect of gravity on his air-free face a Focus Team watch random stacking of hexagonally close-packed planes in a mirror and on screen the mud at Glastonbury beyond fence rows gravitational stresses, sedimentation, concentration gradients at the Giant's Causeway simulated hard spheres in a phase diagram reverberated on a drum machine The mistakes already made in the feel for physicality repeated in the field of intellectual work bludgeoned at the fence. |
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Ambitious to enlarge the boundaries
to a knowledge of those precepts to which every thing that aspires must be proportioned and accommodated to the fire that implies foresight until attention totally engaged applies cadmium, cuts hedge, prunes roses, confirms work on portraits. Deferred gratification perishes to rise in amazement dawn-shine on the face of the Tor desirable lustre a hare in moonlight with its eyes open asleep proceeds with deliberation with detour behaviour conducive to wisdom and compassion reach a nonremovable singularity in which individual cells of the heart's pacemaker node normally synchronise each other. His, so-called, fourth hand carries a ring of ball bearings to represent a dodecagon Pleasure range brokes surrounding dimension accumulated energy tripped in walkway over large child entered columned chaos from egg to winged barrel a particulate power wave or guardian abluted at each contamination plutonium toffees "burning" "dry" the Focus Team's highly spiced gaze delirious or at sea promotes discussion of preference for memory before imagination or an involuntary divination practised by everyone through their blood sugar how volcanic crystals by their own power fly, allow reason to energise irrespective of whether what it says can happen irrelevant to discussions of whether the soul can cloud and lift or the activities of thermal gases become hatred, a mould in the stomach akin to an ulcer fed with young chillies call Here we go here we go here we go. |
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The Focus Team clean their teeth
in
carbon and selenium solutions before the Painter applied red cadmium wears the conceit of a chrome oxide, called green, shirt Society cloaked a troubled history male human endeavour walks with a stoop beneath weight of burden the primate back fault measured by sizes given by sample, he remembers, because they said that, with a measurement, some people cheat taking an inside of the millimetre line or she factures the picture in her head rather than the one immediately in view pervades the medium then phases at once in particulate and wave forms a mammalian ventricular tissue spiral propagates around a cardiac arrest an amalgamation of niches in delusions of understanding shapes close to Archimedean screws shovel mud at Glastonbury scrolls rotate and drift swallowed photocopies choked in glass of 14 year Islay silver fragments eye catch crystallised water on the bathroom tumbler chrysalis in an inclined plane suddenly the speed of light caught in a web angled across skyframe she pulled through the window rolled down the roof into stop at the wet gutter pressure change broke surface tension where a tap drip hits the forehead from an experience of various temperatures. |
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